date | subject | thoughts + observations | |
23-12-2025 | murmur | comments + links that relate to activities here + twangCORP.com. a limited but flexible space, which can respond to events + ideas. | |
23-12-2025 | com/org? | background: twangcorp.com changed hosts in Nov 24, while saying goodbye to certain software licences. ‘twangcorp [alt]’ is to host + develop those elements + ideas that don’t fit within the twangCORP-lite website, which was completely revised in December 2024. this will include unusual or interesting items that would otherwise have been archived, or were incongruous, or simply wouldn’t work or needed a rethink. we hope some of this stuff will be possible here. | |
Late Dec.2024 | to + fro | resolving illogical web design protocols + terminology in WP. navigation back under control. the prototype website cut back in order to go forward. | |
Early Jan.2025 | strides or hops? | new logo introduced, then reintroduced. new pages + layout coming + going. image revision + other things. work continues in draft. working ‘alt-tw..’ title is modified to be consistently stated + read as ‘twangcorp [alt]’ alongside the main ‘twangCORP (lite)’ website | |
04-01-2025 + 05-01-2025 | MeFog | the windswept MeFog video demo videos from 2011 have been found + uploaded to our new archive channel on YouTube (05-01-2025). they can also be found in the archives section of twangcorp [alt]. More demos to follow (once we find them). | |
Jan/Feb 2025 | musical projects | composition, arrangement + recording ongoing on new material. this long overdue process has now become very involved. | |
03-2025 | recording | this busy but frustrating eclipse month culminated in twangcorp finding (at last!) a long discontinued 1st Generation Tascam DP24 multitrack recorder with MIDI from 2013, in apparently pristine condition. although digital, it is now earmarked as being the central plank in the first phase of our projected old-skool recording process, and initially is earmarked for an album of mainly live recordings. its place on the stand in the project studio is reserved pending arrival in early April, whereupon it will surely have its work cut out to clear the backlog of compositons and archives. more importantly, this long planned step should mean more freedom from a computer at all stages of the recording process. | |
04-2025 | |||